For you electroclash lovers out there...
A lazer beam from a sultry siren
Pneumatic bass and panned saxophone
A young girl and an astronaut babbling
The purr of synths and video games beeping
A fair number of the artists associated with the electroclash moniker meld new wave, hip-hop, and ambient and punk (usually vocals) elements. Le Tigre’s drum-machined rock-raps, for example, have riot grrl roots (and thus punk influences). The foul temptress Peaches’ electro base is mediated by rap and punk/rock (or on her latest release, even a vocal flirtation with soul). Others lumped into electroclash also shift these variables in one way or another. That has always left Fischerspooner, despite the commonality of a basic electro fetish, a bit apart. Their relationship to late ‘70s and ‘80s electronic pioneers is much more mediated by New Wave electro-pop than deconstructed pop becoming ambient, industrial, and or techno; more OMD, Scritti Politti, Human League, and early Depeche Mode than, say, Art of Noise or Nitzer Ebb. This much awaited third album, Entertainment, finds Fischerspooner going more electro pop than ever before. Continue...